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Sue Russell's Shop

Average Rating3.55
(based on 46 reviews)

I have just started adding my plays to TES (over 400)!but this will take time! All my assemblies/class plays and guided reading scripts are on www.plays-r-ussell.com and I am happy to write on request. I have converted the entire History Key Stage II curriculum into play format - and much of the other subjects such as Science, Geography, PSHE etc. I cover events such as the Olympics and have received great feedback from teachers around the world! Writing is my passion - hope you enjoy my work!

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I have just started adding my plays to TES (over 400)!but this will take time! All my assemblies/class plays and guided reading scripts are on www.plays-r-ussell.com and I am happy to write on request. I have converted the entire History Key Stage II curriculum into play format - and much of the other subjects such as Science, Geography, PSHE etc. I cover events such as the Olympics and have received great feedback from teachers around the world! Writing is my passion - hope you enjoy my work!
Persuasion Play adapted from Jane Austen
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Persuasion Play adapted from Jane Austen

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Persuasion This play can either be used for performance (Class Play or Assembly) Cast of 30 or as a set of guided reading scripts/readers theatre within the classroom- 5 scenes – 6 speakers each Duration Around 20 minutes reading time. Inclusion of discussion time will add on around another 10 minutes. This ‘Quickie Classic’ was written as a precis of the original book into a 30 minute reading/discussion session. The principal characters, guided by a narrator, effectively talk us through the story – with, of course, a few of their own opinions thrown in! Other ‘quickie classics’ in this series include such writers as Charles Dickens (classics and Christmas novellas), Orson Welles (The Time Machine), Robert Lewis Stephenson (Treasure Island) and Oscar Wilde (The Happy Prince, Selfish Giant etc). Sample Text Scene I/Chapter I Background Cast of 6 Narrator Anne Sir Elliot Lady Russell Mr. Shepherd Captain Wentworth Narrator: So, let’s start with a little background to this story entitled Lady Russell: (Interrupting) Persuasion! Narrator: (Huffily) I’d appreciate you not interrupting me, madam. Lady Russell: Oh, but I can tell everyone all there is to know! Narrator: Undoubtedly, madam. But I don’t think anyone here will be in a hurry to take any advice from you. Sir Elliot: Whatever do you mean? I’ll have you know that Lady Russell was my late wife’s greatest friend and I would never hesitate to follow any advice she might give. Narrator: And therein lies the problem! We should always question other’s advice even when it’s totally well intentioned as in the case of Lady Russell here. Anne: Well-intentioned doesn’t make it right, as I discovered to my cost! Capt. Wentworth: But you were just nineteen years of age. Don’t be so hard on yourself. Anne: But taking that advice cost us seven years of being together! Capt. Wentworth: It’s true. We should never have let anything come between us. But that’s water under the bridge now, my dear. Mr. Shepherd: And you weren’t to know you weren’t being given the very best of advice.
Thank You NHS
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Thank You NHS

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A Huge Thank You to Our National Health Service is just a short note of thanks for the tireless effort of our heroes in the NHS. There can be any number of speakers as these are non-specific. There are 25 plus Narrator in this script but speakers can double up (to reduce number) or have additional text added with additional speakers. This is just a very brief ‘thank you’ and glimpse at when and why the NHS was set up i.e. its aspirations. Sample text: Narrator: Good morning. And welcome to our celebration of our great National Health Service. (Whole cast cheers) Speaker 1: We are all in awe of what the people within the NHS do for us. Speaker 2: During the COVID-19 crisis they have and continue to stand out as our nation’s absolute heroes. (Whole cast applauds) Speaker 3: Yes, every Thursday night for the ten-week Lockdown period we all stepped outside our homes, at 8pm and put our hands together in recognition of the amazing work our NHS workers do. Narrator: It was also to thank all our key workers who kept this country going. They played a crucial role and I repeat, a huge thank you to all of them too. Speaker 4: It became a weekly ritual and we are hoping the whole nation will put their hands together again on July 5th to celebrate the NHS’s seventy second birthday!
Refugee Class Play or Assembly
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Refugee Class Play or Assembly

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Refugee Class Play or Assembly Description Refugee Week 15 – 21st June Cast of 30 Speakers including Narrator. This number can obviously be adjusted according to class size. Duration: Around 5 - 10 minutes reading time This script was prompted by a single thought. It’s one thing dealing with the current Coronavirus pandemic when you can retreat to the safety of your home but imagine not having a home to retreat to, in the current circumstances? This is does not provide coverage of the refugee global situation. That would require an in-depth knowledge of the various wars that have given rise to displacements of population – both internally and beyond country borders. But it is intended as maybe a starting point for further discussion and research.
St. George's Day Poem
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St. George's Day Poem

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Ode to St. George. I wrote this back in 2009 but, typical of me, have just come across it again - on St. George’s Day! Nothing like forward planning! It’s actually part of a St. George’s Day Bundle - over 50 pages including an Assembly On England in Celebration of St. George’s Day; and a set of Guided Reading Scripts covering England’s monarchy, people, places and customs - all very light-hearted and full of our weird and wonderful ways! Anyway, hope you enjoy this poem. One thing about this ‘lockdown’ period is that I’m coming across lots of my old favourite scripts - that I’d forgotten I’ve written! Sample Text: For England is the place to be England is the land of the free. England produced Winnie the Pooh Peter Pan, and Beatrix Potter too. England produced the likes of Will Shakespeare Wordsworth, Rowling and Edward Lear. England has history that goes on forever (Makes up, perhaps, for our crummy weather!) England produced the Beatles, the Stones and the Who And a capital city, London – equaled by few. England serves the very best tea England has health care that is free. England is the place to be England is the land of the free. (All Together) Rule Britannia! St. George’s Day is here. England never shall have Anything to fear!
Free Home School Script King Alfred
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Free Home School Script King Alfred

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Let’s Meet …. King Alfred the Great Let’s Meet Series (so far) 2 speakers (famous person plus interviewer) 5 minutes reading time (not including quizzes) • Alfred the Great • Boudicca • Henry VIII • Henry VIII – 2 scripts & 2 quizzes: Wives The Reformation • Elizabeth I • Florence Nightingale • Vincent Van Gogh Plus scripts between • Queen Victoria and Elizabeth I • Florence Nightingale and Mary Seacole This series of reading texts based on famous characters – past and present –will include monarchs, adventurers, poets, inventors, politicians, space explorers with two objectives: To Bring History Alive (as with my plays) To make reading a more lively, interactive experience – for both student and teacher Also available: Vincent Van Gogh – a Monologue (plus quiz and discussion suggestions) Plus • Meet the Anglo-Saxons Guided Readers (See detailed breakdown after quiz) • Wonderful Winchester Assembly or Class Play Sample Text: Interviewer: Good afternoon! And you must be King Alfred Alfred: The Great! Please don’t forget that bit! Interviewer: The only one of our kings to have that title Alfred: And well deserved, may I add! Interviewer: To be sure! (Aside) Though why he needs to keep reminding me … Alfred: So, as your memory did have that slight falter, shall I help you Interviewer: Remember how great you were? Alfred: Oh, that would be a little presumptuous. I’ll just settle for why I was Great! Interviewer: (Aside) Amazing how little some egos need in the way of encouragement! Very well. Let’s hear it. Alfred: Maybe we should start with my scholarly skills. Interviewer: Yes, I have heard you were quite the student! Alfred: And I made sure everyone else benefitted from my knowledge – all that Latin in our books turned into something we could understand! Interviewer: So, wait a minute. Before we get totally stuck into what made you great Alfred: I can’t wait!
LGBT Assembly
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LGBT Assembly

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LGBT Assembly Cast of 30 – Easily adapted to smaller or larger class size. Duration: Around 10 – 15 minutes. This script, whilst giving two specific examples of victims of discrimination – Alan Turing and Harvey Milk – is a general celebration of diversity, stressing the importance of education in the fight against prejudice. It is suitable for primary school children and, as an ‘add-on’ gives a suggested list of discussion points to be gone through beforehand. I fear I may have erred on the side of caution in writing this script – I have not given any ‘definitions of LGBT terms’ though I am happy to provide these as a supplement, if requested. But I hope I have delivered on the message that we should all work towards a ‘live and let live’ society - as prejudice and fear-free as possible. Sample Text: Child 13: Why cannot people be free to be who they are? Child 14: Why cannot people be free to express themselves as they are? Child 15: Fortunately, we live in increasingly enlightened times Child 16: So that people need not be afraid of the kind of discrimination that leads to the loss of freedom and the loss of life. Child 17: To live in fear is a terrible thing. Child 18: We often hear of bullying. This can happen to adults just as much as to children. Child 19: And the bullies are often the ones who are most frightened. Narrator: How does that work? Child 20: Prejudice is largely borne of ignorance. People feel threatened by things they don’t understand. They are afraid and lash out at whatever is beyond their comprehension. Child 21: Nobody likes being taken out of their particular comfort zone. And that comfort zone is often based on familiarity. Understanding what is going on. Narrator: So how do you think we should best tackle this problem? Child 22: Through education. Through making differences acceptable and non-threatening. Child 23: If we all accept it’s OK to be different then that’s half the battle.
Battle of Life play: a Charles Dickens book
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Battle of Life play: a Charles Dickens book

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The Battle of Life – a play based on the original novella by Charles Dickens Cast of 15. Duration around 30 minutes Other plays I have written available off TES based on Charles Dickens’ books are: A Christmas Carol, Oliver Twist, Great Expectations, David Copperfield and A Tale of Two Cities. When I started reading this novella, I was expecting a love story – but The Battle of Life is so much more. It is not just about romantic love but love of a much deeper kind - of sibling love – between two sisters. Not widely read but I loved it! Sample Text: (Sound of music and laughter) (Enter Dr. Jeddler) Narrator: Aha! And one of the jolliest gents you are ever likely to meet! Dr. Jeddler, I was just commenting on The Battle of Life. No doubt you, as a philosopher, have something to say on the matter? Dr. Jeddler: (Laughing) Well, naturally, my good man! Though nothing too profound, you understand! I don’t take any of this stuff too seriously! Narrator: You mean, the stuff of living? (Enter Alfred, briefly) Alfred: Oh, but you should! (Aside to audience) I rather think Dr. Jeddler here may just change a little of that mindset of his during the course of this production! (Exit Alfred) Dr. Jeddler: What’s that? Yes, I thought I heard music! (Enter two musicians, and two sisters, Marion and Grace, dancing, without any inhibition) (Narrator applauds loudly when the music stops and the girls fling themselves to the ground in exhaustion) Narrator: Bravo! That was some display! Though all the better for not being a display, if you see what I mean! Marion: (Laughing) Oh we were most certainly not dancing to an audience! (Spotting audience) Oops! No offence intended to present one! Dr. Jeddler: (Coughing) Ahem! You realise the earliness of the hour? Grace: (Quickly) Oh but father! You haven’t forgotten what day it is? Marion: Somebody’s birthday? Dr. Jeddler: Bah! It’s always somebody’s birthday! What a load of nonsense – another foolish exhibition in this thing called life! (Marion pulls a face) Dr. Jeddler: Which isn’t to say we can’t celebrate the idea of this, this birthday malarkey! (To Narrator) I wouldn’t want you to think I’m some kind of kill joy! It’s just, life is such a farce, the world such a gigantic practical joke. Grace: (Taking his arm) Oh come along, father! Let’s just enjoy the day. Narrator: (To audience) Something tells me this particular philosopher has a rather simplistic view of the world … but one on which he could, nevertheless, speak for hours. Let’s not allow him that freedom! Good for Grace!
A Tale of Two Cities Play
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A Tale of Two Cities Play

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Tale of Two Cities Play This is one of a series of plays based on Charles Dickens’ books, What the Dickens! • A Christmas Carol • Oliver Twist • David Copperfield • Great Expectations • A Tale of Two Cities Cast of 15 (30 including crowd in brackets) Duration: Around 25 minutes Sample Text: Judge: (To Dr. Manette) I’m afraid he stands convicted by these two, Madame and Monsieur Defarge (pauses) and you! Dr. Manette: (Gasping) What? What do you mean, me? How can this be? Judge: Are you or are you not Alexandre Manette? Dr. Manette: Well, of course, I am. Everybody here today knows that! Judge: So, can you deny writing (Monsieur Defarge hands letter over to him) this? (Dr. Manette takes the letter, reads it, gasping as he does so, and then sits down in a state of shock) Monsieur Defarge: So, enlighten us, Dr. Manette. What have you just read? (Dr. Manette sits clutching his head, in silence) Madame Defarge: Fairly conclusive evidence, I’d say! Judge: So, for the benefit of the court, I will endeavour to explain the contents of this letter. Let’s just start with where it was found. Monsieur Defarge: In cell One Hundred and Five, North Tower of the Bastille! (Whole courtroom gasps) (Sydney Carton jumps up) Sydney Carton: How can that be? This is false evidence, m’lord! Monsieur Defarge: Oh, I don’t think so, young man! You may be able to work your lawyer-magic back in England, but not here in France! Madame Defarge: Justice will be done! You see if it isn’t! This latest set of scripts, ‘dipping into Dickens’ could be used for upper KSII children (in addition to KS III – as per review below). Review: I can highly recommend Sue Russell’s plays for use with KS3 students. They are wonderful introductions to classic novels – capturing the mood and tone of the original and communicating the essence of plot and characters in a lively and highly accessible way. Students enjoy the vibrant dialogue and find scope for characterisation and the development of dramatic skills by performing them. These plays can be used in English lessons as well as Drama class. Dickens is a wonderful writer, but the sheer length of the novels and complexity of plot lines can be intimidating for students. Sue Russell’s plays are faithful to their originals yet also brilliantly condensed without any loss of key material. Many thanks to my writer-friend Jude Hayland who, when not writing, works as drama teacher and English tutor.
Great Expectations Play
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Great Expectations Play

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Great Expectations – a play based on the book by Charles Dickens This script is one of a series ‘What the Dickens!’ : • A Christmas Carol • Oliver Twist • David Copperfield • Great Expectations • A Tale of Two Cities Cast of 15 Duration: Around 15 – 20 minutes Suitable from age 10 upwards, this is a set of scripts written with Key Stage III in mind. I will be adding further teaching resources in the near future. It is my aim to make these great classics accessible to young people and adults alike*Scroll down for review. Sample Text: Narrator: This is a tale of (pauses) Great Expectations. But please don’t allow yourselves to be fooled by the title. No. Sadly this is far from a tale of high hopes and their fulfilment. This is a tale that will take you to many dark places where you will meet many dark characters. Where treachery and skulduggery lurk in every corner. Where so-called gentlemen act as complete tyrants (pauses) and where ladies, frankly do not come out much better! (Sound of ‘clanking’ from a blacksmith’s shed) But wait! What is that I hear? Aha! A sound of decency. A bright ray of light shining through all this mirky darkness. (Enter Joe) Joe: (Laughing) Did I hear someone compare my job to something bright and shining? Narrator: (Shaking Joe’s hand) You did indeed! It’s so good to meet you! Joe: And very good to meet you too, my friend! Narrator: Ah, there you go! Warm and welcoming to everyone you meet. Never an unkind thought in your head. Always thinking the best of everyone! Joe: (Smiling) Well, it doesn’t pay to carry bitterness around with you. My wife sadly carries enough for two of us – and look how happy that makes her! (Enter wife) Wife: (Shrieking) Joe? Joe Gargery? Have you not heard me yelling your name this past half hour? Narrator: (Aside to audience) And there I was thinking the ear plugs were to protect his ears from the anvil! Wife: (Rounding on Narrator) And what is your business in these parts? Narrator: And a very good day to you as well, ma’am. I was just saying to your husband Wife: (Interrupting) That good for nothing waste of time! And don’t you go wasting any more of his time! He has work to do! Isn’t that right, Joe Gargery? Joe: If you say so, oh sweetness and light! Wife: Bah! Don’t you go thinking you can sweet-talk your way around me! (Pauses as she looks around) And where’s that other waste of space, my young brother, Pip? Up to no good, no doubt! Narrator: (Sarcastically) How lovely it must be to think so well of everyone around you! Review: These plays can be used in English lessons as well as Drama class. Dickens is a wonderful writer, but the sheer length of the novels and complexity of plot lines can be intimidating for students. Sue Russell’s plays are faithful to their originals yet also
David Copperfield Play
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David Copperfield Play

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David Copperfield This is one of a series of plays based on Charles Dickens’ books, What the Dickens! • A Christmas Carol • Oliver Twist • David Copperfield • Great Expectations • A Tale of Two Cities Oliver Twist is co-narrated by the narrator and Fagin, to illustrate what life was like in Victorian England. This one, David Copperfield, is co-narrated by the narrator and Charles Dickens, drawing many parallels between his own life and that of David Copperfield. Cast of 15 speaking parts Duration: Around 15 minutes Suitable from age 10 upwards, this is a set of scripts written with Key Stage III in mind. I will be adding further teaching resources in the near future. It is my aim to make these great classics accessible to young people and adults alike*Scroll down for review. Sample Text: Scene 5 Mr. Wickfield’s House (Mr. Wickfield looking old and frail, sitting in chair, with Agnes hovering over him in concern. Uriah Heep stands to the side, looking very pleased with himself, offering Mr. Wickfield one glass of wine after another) Uriah Heep: (Refilling Mr. Wickfield’s glass with wine) There you go, dear Mr. Wickfield. Just say the word! Anything I can do to help! (Enter David, taking glass off Mr. Wickfield and glaring at Uriah Heep) David: I’ll take that, thank you very much! Uriah Heep: (Gasping) What do you think you are doing? David: Saving Mr. Wickfield and his lovely daughter, that’s what (pauses) from you! Uriah Heep: Whatever do you mean? How dare you just flounce back into our lives after waltzing off to Switzerland! Agnes: (Gasping) Ooh, Mr. Heep! David was hardly ‘waltzing off to Switzerland’ out of choice! He’d just lost his beloved wife, Dora! David: Indeed! And without your kind support, as always, Agnes, I would never have made it through that dark time! Mr. Wickfield: Ah, you and Agnes were always so close! Like brother and sister! David: But times have changed (Agnes gasps in horror) Agnes: Have I done something to upset you? David: It’s not what you have done, beloved Agnes! (Turning to Uriah Heep) Just look at what this fiend has been trying to do to your father! Uriah Heep: (Gasping) What do you mean? David: You know perfectly well what I mean! Poisoning him with all this alcohol! Just so that you can help yourself to his daughter! Uriah Heep: (Smugly) There are worse fates than being married to me, I can assure you! David: You think so? Hmm. I think we’ll agree to disagree on that one! Review: Sue Russell’s plays are faithful to their originals yet also brilliantly condensed without any loss of key material.
Oliver Twist Play
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Oliver Twist Play

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Oliver Twist – A Play Based on the Novel by Charles Dickens Cast of 15 speaking parts; or Cast of 30 if including non-speaking parts Duration: Around 15 minutes not including song suggestions Oliver Twist, following on from the popular Christmas Carol, is the second in a series of Charles Dickens adaptations – the others being David Copperfield, Great Expectations and A Tale of Two Cities. Suitable from age 10 upwards, this is a set of scripts written with Key Stage III in mind. I will be adding further teaching resources in the near future. It is my aim to make these great classics accessible to young people and adults alike. Whilst sticking to the original story, this one has a much happier ending for everyone; and has Fagin ‘putting our Narrator right’ on what it was actually like to live in Victorian England. Sample Text: (Enter Fagin, marching over to Narrator) Fagin: (Threateningly) Criminal classes, eh? Oh, and I suppose you’d know a lot about what it was like to live in Victorian times, would you? Narrator: (Spluttering) Well, er, now you come to mention it (pauses) no, not really. Fagin: Well, allow me to fill you in. Let’s start with how hard it could be especially if you were poor. Narrator: (Huffily) Well, I’ve no doubt there was social welfare for those who needed it. Fagin: (Exploding) Social welfare? I’ll show you social welfare! Come with me. My, are you going to have your eyes opened! Music 2 – Food Glorious Food Scene 1 The Workhouse (Fagin takes Narrator to one side as workhouse inmates line up, holding bowls and spoons, with Mr. Bumble standing at the front, ladling out the gruel; Oliver is last in line) Narrator: (To Fagin) Why are these children dressed in rags? And why are they so filthy? And what is that terrible smell? Fagin: So many questions! Well, to start with, those rags are all they have! Appearances aren’t too important when you are just trying to stay alive! Narrator: But where are their parents? Fagin: (Laughing) They have no parents! They’re all orphans. They have nowhere to go but the workhouse! (Pauses) And before you ask, that’s gruel they’re getting in those bowls! Pretty disgusting but, like I said, keeps them alive. Better that than dying on the streets. (Oliver takes his bowl and sits with the rest; then gets up and stands in front of Mr. Bumble a second time) Also available: Victorian Assembly/Class Play; and Meet the Victorians – set of guided reading scripts.
The Real Christmas Experience Assembly
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The Real Christmas Experience Assembly

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The Real Christmas Experience Assembly – at super low price in tune with festive spirit! Cast of 30 – easily adaptable up or down Duration – around 15 minutes not including music This script identifies some of the highs and lows of Christmas … in a fun way! It is not intended as a lecture but just an offering of some guidelines towards staying sane, making the Christmas period an enjoyable experience, minus all the spending, hype/expectation etc. On the downside it offers probably the worst jokes you’ll hear over the festive season – best served up with a public elf warning! Sample Text Narrator: I mean, a Christmas without presents? Whole Cast: (Together) Unthinkable! Child 2: But I think it’s important to remember how much nicer it is to give than to receive. Narrator: That’s true. It brings far more joy. I love seeing everyone’s faces as they open their presents. Child 1: But Narrator: Oh no. Not you again! Anyone would think your last name was truly Scrooge! Child 1: I’m just telling it as it is! I mean, we all have stories to tell of the ‘not so perfect Christmas’. Child 2: Like when my mum forgot to take the turkey out of the oven. Burnt to a cinder, it was! And so we had to make do with just Brussel sprouts and carrots! Child 3: Yes, I remember our dad nearly setting the house on fire whilst lighting the Christmas Pudding. Child 4: And the star getting lost during the school nativity – which nearly resulted in half the teachers having a nervous breakdown! Child 5: And the year I had such a bad cold I couldn’t utter a croak during the carol service! Child 6: And the year every one of my family managed to fall out with each other! Child 7: Yes, so much for ‘tis the season to be jolly’. That’s sometimes way off the truth. Narrator: Now, I wonder why that is? I mean, with everything that’s going on, how could you not have a good time? Child 8: But that’s just the point! There’s way too much expectation! Child 9: Everybody is expected to have the best time! Child 10: And so often this can result in you having the very worst time! Child 11: You’ve only got to watch Christmas EastEnders to see that in practice!
Be Inspired New Year Assembly or Class Play
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Be Inspired New Year Assembly or Class Play

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Be Inspired New Year Class Play or Assembly Cast Size 30 – but this number can easily be adapted up or down. Duration Around 20 minutes. The performance can be extended by the addition of more jokes and poetry. Do you feel the need for a large dose of inspiration in order to start 2020? Look no further, here’s the script for you! A whole month’s worth of quotations that will give your students plenty to aspire to! Sample Text: Music I – I’m So Excited – Pointer Sisters (Whole cast ‘dances’ in, seating themselves along two rows of fifteen seats, facing the audience) Narrator: (To cast) Are we all feeling inspired, that is the question? (Everyone cheers) Narrator: Now, that’s how I like to start an assembly! Lots of enthusiasm, zest, passion Child 1: Yes, yes, we get all that! But where are we going with all this good feeling? Narrator: Well, I’m kind of hoping it’s going to last (pauses) at least until the end of January! Child 2: (Shaking head) Ooh, I wouldn’t count on it. I mean, that’s thirty-one days you’re talking about! Narrator: I know it’s a lot to ask but, well, it’s good to have things to aspire to along the way! As to how we’re going to achieve such a long-term goal Child 3: (Interrupting) Oh, that’s simple. We just have to get inspired! Child 4: We’ve been doing some research and we’ve come up with some pretty inspirational stuff! Narrator: (Clapping hands) Excellent! Then, take it away! Child 5: So, it’s all about behaving in the right way. Narrator: (Aside to audience, incredulously) Every day through January? Seriously? That would have to be seen to be believed! Child 6: We have actually managed to find ‘inspiration’ for every day of the month, for each of the thirty-one days, starting with Child 7: January 1st. Here comes the first of the many inspirational quotations we found.
The Tales of Beatrix Potter Guided Reading Part IV
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The Tales of Beatrix Potter Guided Reading Part IV

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The Tales of Beatrix Potter – adapted and revised, Part Four Tales 16 – 21 This is the fourth and final part of a four-part series of plays including: The Tales of: • Samuel Whiskers • The Pie and the Patty Pan • Ginger and Pickles • Little Pig Robinson & The Story of A Fierce Bad Rabbit and The Story of Miss Moppet The collection of twenty-one tales is available in four parts, Parts I, II, III and IV Parts I, II and III have five scripts each; each of these scripts taking approximately five minutes to read, with six speakers each – the exception in Part III being The Tale of Mr Tod which is the longest script in the collection at 15 minutes. These six scripts in Part IV are generally shorter than the scripts in the rest of the collection – especially the last two which hardly qualify as tales. There are a total number of 30 speakers. And unlike Parts I, II and III there are no question and answer sections. These plays are simple adaptations/conversation pieces based on Beatrix Potter’s tales, for use within the class room. They can either be used as group readers or combined to create a whole class play/assembly. The Tale of Samuel Whiskers (tale number 16) Cast of 7 Narrator Mrs. Tabitha Twitchit Tom Mrs. Ribby (Cousin and neighbour to Tabitha) Old man rat (Samuel Whiskers) Old woman rat (Anna Maria) John Joiner (dog) If only Tabitha had been a more disciplined parent! Easy enough to say after the event but nobody wants to end up as a dumpling! Not even the naughtiest of kittens – who probably deserved it! Sample Text Narrator: Cats, rats and a dog – this should be lively! Mrs. Ribby: I blame the parents! Tabitha: You would! So easy to judge others Narrator: (Intervening) Ladies! Ladies! Tabitha: (Petulantly) Well, it’s true! What would she know about bringing up three naughty kittens? Mrs. Ribby: Try asking yourself why they were naughty? Old woman rat: It’s very easy to find fault with others Old man rat: We should know! We’re rats! Nobody ever gives us a second chance! John Joiner: Well, you do come with something of a reputation!
The Tales of Beatrix Potter Guided Reading Part III
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The Tales of Beatrix Potter Guided Reading Part III

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The Tales of Beatrix Potter Guided Reading Part III This is the third of a four part series of plays including: The Tales of : • Mrs. Tittlemouse (cast of 6) • Timmy Tiptoes (cast of 6) • Johnny Town-Mouse (cast of 3) • Mr. Tod (cast of 7) • Pigling Bland (cast of 8) These five scripts are of varying lengths but take approximately five minutes each to read, with the total number of speakers at 30. The exception is The Tale of Mr. Tod which is around 15 minutes reading time – this the longest script in the collection. These plays are simple adaptations/conversation pieces based on Beatrix Potter’s tales, for use within the class room. They can either be used as group readers or combined to create a whole class play/assembly. They can be used as PSHE/Citizenship and/or Literacy resources – there are many tips on behaviour both within the scripts and afterwards, in the Q & A/Discussion sections. In the case of the latter, these offer a very simple line of questioning – they are intended as a starting point for further discussion and can of course be expanded beyond this simple format. Tale 11 The Tale of Mrs. Tittlemouse Cast of 6 Mrs. Tittlemouse (Thomasina) Beetle Ladybird (Mother Ladybird) Spider Bumble Bee (Babbitty Bumble) Toad (Mr. Jackson) How can you feel anything but total sympathy for Mrs Tittlemouse – so house-proud and having her spotless house invaded by so many uninvited (and extremely messy) guests? Especially Mr. Jackson – who definitely needs familiarising with the expression ‘outstaying your welcome’! Sample Text: Mrs. Tittlemouse: (Indignantly) But none of you were invited! You all just let yourselves in! Beetle: Are you calling us trespassers? Ladybird: You who told me my house was on fire? Mrs. Tittlemouse: Well, I had to get rid of you somehow! Spider: And there I was, just looking for Little Miss Muffet! Mrs. Tittlemouse: And leaving trails of cobwebs behind, wherever you went! Bumble Bee: (Tutting) Zizz, Bizz, Bizzz! Mrs. Tittlemouse: (Impatiently) Meaning? Bumble Bee: Zizz, Bizz, Bizzz! Mrs. Tittlemouse: (Sarcastically) Very helpful! Toad: I think what she is trying to say is Bumble Bee: (Interrupting angrily) Hey, I can speak for myself, thank you very much! Mrs. Tittlemouse: So, perhaps you can explain all that moss I found in my store cupboard? Bumble Bee: (Hesitantly) Well, it was, er, Mrs. Tittlemouse: Home to your family of bees! The cheek of it! Beetle: (Gasping) Ooh! You mean, she’d set up house (pausing) inside your house? Mrs. Tittlemouse: Exactly! Without so much as a please or a thank you! Ladybird: You mean, Babbitty Bumble just (pauses) moved in? Mrs. Tittlemouse: Quite so! (Pauses) So now can you see why I was less than accommodating to the rest of you? Beetle: Well, if you’re going to be taken advantage of like that, of course we understand. Oh dear! And there I was worrying about my dirty feet!
The Tales of Beatrix Potter Guided Reading Part II
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The Tales of Beatrix Potter Guided Reading Part II

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The Tales of Beatrix Potter Guided Reading Part II This is the second of a four part series of plays including: The Tales of • Mrs. Tiggy-Winkle (6 speakers) • Mr. Jeremy Fisher (6 speakers) • Tom Kitten (8 speakers) • Jemima Puddle-Duck (4 speakers) • and • The Flopsy Bunnies (6 speakers) These five scripts are of varying lengths but take approximately five minutes each to read, with the total number of speakers at 30. These plays are simple adaptations/conversation pieces based on Beatrix Potter’s tales, for use within the class room. They can either be used as group readers or combined to create a whole class play/assembly. They can be used as PSHE/Citizenship and/or Literacy resources – there are many tips on behaviour both within the scripts and afterwards, in the Q & A/Discussion sections. In the case of the latter, these offer a very simple line of questioning – they are intended as a starting point for further discussion and can of course be expanded beyond this simple format. Tale 6 The Tale of Mrs. Tiggy-Winkle Cast of 6 Narrator Lucie Tabby Kitten (Cat) Sally Henny-penny (Speckled hen) Cock Robin (Robin) Mrs Tiggy-winkle One of Beatrix Potter’s best loved characters – the adorable Mrs. Tiggy-Winkle. Accompanied here by some appreciative visitors. Narrator: So, where’s that wonderful hedgehog! I am so looking forward to meeting her! Lucie: (Crying) Oh no! Not another handkerchief lost! Whatever is happening to me? Narrator: (Aside) A little absentmindedness, perhaps? Just a suggestion! Lucie: (To Cat) Tabby Kitten! Have you seen them anywhere? Cat: ‘Fraid not! I don’t have much use for pocket handkerchiefs! See, I have paws! Lucie: (Sighing) Oh dear! Let’s try someone else. (To Speckled hen) Ah Sally Henny-penny! Have you seen my handkerchiefs anywhere? Speckled hen: (Sarcastically) What possible use would I have for a handkerchief? I have neither hands nor nose, or hadn’t you noticed? Lucie: (Sighing) Ah well, one more try! (To Robin) Cock Robin! Have you seen my handkerchiefs? Robin: (Indignantly) Why would I be interested in handkerchiefs? Narrator: Hmm, yes, sorry for stating the obvious but birds have beaks and claws – not noses and hands! Tale 7 The Tale of Mr. Jeremy Fisher Cast of 6 Narrator Jeremy Fisher Minnow Trout Newt (Sir Isaac Newton) Tortoise (Mr. Alderman Ptolemy) A frog who fishes? And doesn’t like the damp? Does this character have any amphibious traits at all? Read on to find out! Sample Text Jeremy: Hey, this is no confused frog, I’ll have you know! It’s everybody else that is confused around here! So, what if I went out on my boat to have a bit of fun fishing? Beats sitting around in that damp house! Trout: But frogs aren’t supposed to mind the damp. In fact, most frogs positively love it! Jeremy: No, what I meant was
The Tales of Beatrix Potter Guided Reading Part I
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The Tales of Beatrix Potter Guided Reading Part I

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The Tales of Beatrix Potter Guided Reading Part I: 5 plays including: The Tales of • Peter Rabbit • Squirrel Nutkin • Benjamin Bunny • The Two Bad Mice and The Tailor of Gloucester These five scripts each take approximately five minutes to read, with six speakers each. They are simple adaptations/conversation pieces based on Beatrix Potter’s tales, for use within the class room. They can either be used as group readers or combined to create a whole class play/assembly. They can be used as PSHE/Citizenship and/or Literacy resources – there are many tips on behaviour both within the scripts and afterwards, in the Q & A/Discussion sections. In the case of the latter, these offer a very simple line of questioning – they are intended as a starting point for further discussion and can of course be expanded beyond this simple format. Tale 1 The Tale of Peter Rabbit Cast of 6 Peter Rabbit Triplet sisters: Flopsy Mopsy & Cottontail Mother Rabbit Mr. McGregor A bowlful of chamomile soup – as punishment for trespass? No wonder so many of these furry creatures of the animal kingdom think they can get away with anything. Or can they? Time those rabbits had a taste of real discipline! Sample Text: Mr. McGregor: Yes, indeed. Up to his old tricks again – or heading that way! (To Mother Rabbit) Have you no control over him? Mother Rabbit: (Indignantly) I can assure you he will receive the severest punishment! Mr. McGregor: You mean, chamomile tea for supper? Flopsy, Mopsy and Cottontail: (Gasping in horror) Oh no! Not that! Mr. McGregor: (Shaking his head) And you think that is going to put him straight? (Flopsy, Mopsy and Cottontail all nod their heads) Mr. McGregor: (To Mother Rabbit) Seriously? (Mother Rabbit dips her head in embarrassment) Mr. McGregor: Strikes me we need to take a slightly different route. One which will teach the young fella a lesson but will be useful to him at the same time, keeping him out of mischief. Tale 2 The Tale of Squirrel Nutkin Cast of 6 Squirrel Nutkin Twinkleberry (brother) Cousin 1, 2 and 3 Mr. Brown (the owl) How much more irritating can one squirrel be? This one, going by the name of Nutkin, has annoying ways in spades. Definitely time he was taught a lesson! (Are we getting a bit of a pattern, here?) Sample Text Squirrel Nutkin: (Repeating) Each day? You mean I have to work for you as long as you say so? Mr. Brown: Aha! You’re cleverer than you look! Good to see you catching on so quickly. Correct! Squirrel Nutkin: (Spluttering) But, but I have a life! You can’t take that away from me? Mr. Brown: Watch me! You will have no life until you work out what you have done wrong.
Beatrix Potter Play KSI (5 – 7 yrs) Part IV
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Beatrix Potter Play KSI (5 – 7 yrs) Part IV

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Beatrix Potter Class Play or Assembly for Key Stage I (5 – 7 year olds) Part IV This is the fourth of a set of four – Parts I, II and III cover five tales each, and Part IV covers six. Thus, twenty-one in total. Cast of 24 (easily adapted up or down) and duration of around 10 minutes – this is reading time so performance can take it beyond this with possibility of further additions. Part IV consists: Tale 16 The Tale of Samuel Whiskers Tale 17 The Tale of the Pie and the Patty Pan Tale 18 The Tale of Ginger and Pickles Tale 19 The Tale of Little Pig Robinson Tale 20 The Story of A Fierce Bad Rabbit Tale 21 The Story of Miss Moppet Cast of 24 plus Narrator (this role to be taken by the Class Teacher) The character, Ribby, does appear twice – she appears in The Tale of Samuel Whiskers and the Tale of the Pie and the Patty Pan; but for the sake of keeping the cast total at 24, she can be played by two different children. 6 groups: Group I (6 speakers) Mrs. Tabitha Twitchit Tom Ribby (Cousin and neighbour to Tabitha) Samuel Whiskers (Old man rat) Anna Maria (Old woman rat) John Joiner (dog) Sample Text Narrator: And so to The Tale of Samuel Whiskers. (Pauses) Goodness, is this one about Samuel Whiskers: (Interrupting) Me! A rat! Narrator: I have to say I am just a little surprised that it is your name in the title. Tabitha: A rat, indeed! Fancy! Ribby: A rat that nearly made a dumpling Tom: Out of me! John Joiner: That will teach you to misbehave! Group II (3 speakers) Ribby Duchess Dr. Maggotty Sample Text Narrator: Oh, I like this tale – about a pie and a patty pan! And a dinner party that went badly wrong (pauses) we’ve all been to one of those! Dr. Maggotty: But this one takes some beating! Narrator: I have to agree. I mean, let’s start with the fact it was a cat inviting a dog to dinner! Ribby: I was the hostess, Ribby! Duchess: And I the guest, Duchess! Dr. Maggotty: And I was the doctor Duchess: A magpie! Ribby: Called Dr. Maggotty! Narrator: What a name! I’m not sure I’d call on your services if I were ill! Group III (3 speakers) Ginger (tom-cat) Pickles (terrier) Henny Penny Sample Text Narrator: Oh dear! This is not such a happy tale! Ginger: We lost everything! Pickles: (Sighing) Everything! Henny Penny: And whose silly fault was that? Narrator: (Gasping) Oh surely we should show these two shop-keepers some sympathy? It’s not every day your business goes under. Henny Penny: But it was their fault! They gave everything away!
Beatrix Potter Play KS I (5 – 7 yrs) Part III
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Beatrix Potter Play KS I (5 – 7 yrs) Part III

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Beatrix Potter Class Play or Assembly for Key Stage I (5 – 7 year olds) Part III This is the third of a set of four – Parts I, II and III cover five tales each, and Part IV covers six. Thus, twenty-one in total. Cast of 27 (easily adapted up or down) and duration of around 10 minutes – this is reading time so performance can take it beyond this with possibility of further additions. Part III consists of the Tales of: • Mrs. Tittlemouse (cast of 6) • Timmy Tiptoes (cast of 6) • Johnny Town-Mouse (cast of 2) • Mr. Tod (cast of 6) • Pigling Bland (cast of 7) Cast of 27 plus Narrator (this role to be taken by the Class Teacher): Assemblies Part I, II and IV all have a cast size of 24. This one, Part III, has a cast size of 27 – so to stay consistent with cast size of 24, 3 characters will need to ‘double up’ – unless there are 27 children available to take the 27 parts. 5 groups: Group I (6 speakers) Mrs. Tittlemouse (Thomasina) Beetle Ladybird (Mother Ladybird) Spider Bumble Bee (Babbitty Bumble) Toad (Mr. Jackson) Sample Text Narrator: And may I just start by saying, I think you, Mrs Tittlemouse, should have a medal for your patience! Mrs. Tittlemouse: (Laughing) Oh you mean all those unexpected guests! Narrator: Unexpected and uninvited! Beetle: First me Mrs. Tittlemouse: With your little dirty feet! Ladybird: Then me! You told me my house was on fire! Narrator: A clever ploy! And it worked – you flew off to save your children! Spider: Then me Mrs. Tittlemouse: With your cobwebs Bumble Bee: Then me Mrs. Tittlemouse: With all your untidy dry moss Toad: And then, me! Mrs. Tittlemouse: Who made the worst mess of all – water everywhere! Group II (6 speakers) Timmy Tiptoes Goody Silvertail Squirrel Little Bird Mrs. Chippy Hackee – Chipmunk Mr. Chippy Hackee – Chipmunk Sample Text Narrator: It was a little strange you, Mr Chippy Hackee, being there as well! I mean, we all know how Timmy Tiptoes got down there Silvertail Squirrel: With a shove from me Little Bird: And a tweet from me! Narrator: Oh dear! Just goes to show how much trouble one small tweet can cause! Goody: Yes, I’m always warning people about Twitter!
Beatrix Potter Play for 5-7 yrs Part II
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Beatrix Potter Play for 5-7 yrs Part II

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Beatrix Potter Class Play or Assembly for Key Stage I (5 – 7 year olds) Part II This is the second of a set of four – Parts I, II and III cover five tales each, and Part IV covers six. Thus, twenty-one in total. Cast of 25 (easily adapted up or down) and duration of around 10 minutes – this is reading time so performance can take it beyond this with possibility of further additions. • Tale 6 The Tale of Mrs. Tiggy-winkle • Tale 7 The Tale of Mr. Jeremy Fisher • Tale 8 The Tale of Tom Kitten • Tale 9 The Tale of Jemima Puddle-Duck • Tale 10 The Tale of the Flopsy Bunnies Cast of *25 plus Narrator (this role to be taken by the Class Teacher): *As Jemima features twice, the cast could be 24, if Jemima doubles up – appearing in Group III and IV. 5 groups: Group I (5 speakers) • Lucie • Tabby Kitten (Cat) • Sally Henny-penny (Speckled hen) • Cock Robin (Robin) • Mrs. Tiggy-winkle Sample Text Lucie: Here are my hankies! Cat: Here are my mittens! Hen: Here are my yellow stockings! Robin: And here is my scarlet waistcoat! Mrs. Tiggy-winkle: All beautifully washed and ironed! Narrator: What a fabulous washer-woman you are, Mrs. Tiggy-winkle! Group II (5 speakers) • Jeremy Fisher • Minnow • Trout • Newt (Sir Isaac Newton) • Tortoise (Mr. Alderman Ptolemy) Sample Text Narrator: It seems fishing is rather a dangerous business! Jeremy Fisher: Well, I had to get my guests something to eat! Newt: But we don’t like fish, Jeremy! Narrator: Oh dear! A bit of a dinner disaster? Tortoise: Not at all! I bought a nice plate of salad Group III (7 speakers) • Mrs Tabitha Twitchit (Mother) • Mittens • Tom Kitten • Moppet • Rebeccah Puddle-Duck • Jemima Puddle-Duck • Mr. Drake Puddle-Duck Sample Text Narrator: What well-behaved kittens! And very generous, from what I’ve heard! Rebeccah: (Strutting up and down) Look at this lovely hat (pauses) and pinafore! Jemima: (Strutting up and down) Look at this lovely tucker (pauses) and pinafore! Mr. Drake: (Strutting up and down) And just look at my smart outfit – blue jacket and trousers! Narrator: The perfect fit! Who would have thought they were meant Tabitha: (Shrieking) For my kittens! Group IV (3 speakers) • Jemima Puddle-Duck • Fox • Kep (collie-dog) Sample Text Jemima: (Looking around) Now, where are those eggs? Kep: Don’t worry. Someone in the farmyard will find them for you! Fox: If I don’t get to them first! Kep: (Growling) You had your chance! And blew it! Now beat it! Narrator: Oh dear! That’s no way to speak to this gentleman, Kip! Where are your manners? Jemima: That fox is no gentleman! He won’t fool me again!