Full unit of work that focuses on Lisa Creagh’s Instant Garden series. Teaches everything that is need to hit each assessment objective both at GCSE and A level. This includes: Artist research and image analysis Shooting plan and scanography analysis Contact sheet creation and best images section Editing pages guide Editing guide explaining how to complete edit Best edit (final outcome) presentation and annotation guide I use this as the second artist that I usually complete at the start of any photographic course because it is fun and teaches essential skills whilst editing but also shows the different means students can use to create imagery. It also shows students what is required to hit each assessment objective and gives them an understanding of how to present their work in a detailed and reflective way. Can be adapted for any photographer

Great photoshop editing guide for a floating person in the style of photography Andreas Lie. Can be completed with your own images or stock. Useful for students who have some photoshop experience and those who would like to learn useful techniques. Teaches students how to blend layers, use spherical distortion, blend multiple layers, colour manipulation and local adjustments. Suitable for all governing bodies. Teachers would need some photoshop experience for this one and I would recommend creating an edit yourself before giving it to a class. Perfect for end of year if in a rush or to help develop the skills needed to be successful on a photography A level or GCSE.

Photography editing guide to create work in the style of artist Julian Opie. Can be easily completed using photoshop or a host of other editing platforms. Useful for a quick editing process that can be used by a diverse range of students. Teaches skills that can be applied to a number of different projects. Perfect for A level or GCSE students who have an interest in the more arty and creative side of photography. Suitable for all governing bodies. Even teachers with limited photoshop experience could easily teach this. Perfect for end of year if in a rush or to help develop the skills needed to be successful on a photography A level or GCSE.

In depth editing guide inspired by the photographer Micaela Lattanzio. Multiple techniques including: fragmenting, drop shadow, layering and selection tools. Quite an advanced editing technique that takes time to complete. Will be perfect for higher ability students who feel confident on photoshop and want a challenge. GCSE later years or A level would make good use of this.

The start to a Mark Herald / Natural form project that includes polyblock printmaking, presentation and the start to the construction of a cardboard bird. With starters, plenaries, research pages and powerpoints, you have everything needed for the first few lessons of this project. Was designed for year 10 but could be used for Key stage 3 or 4. Project is not finished as lockdown prevented my classes from being able to complete practical tasks like this. Can easily be finished whilst you complete your demo

Unit of work focusing on double exposure and the work or Luke Gram. Each assessment objective is covered and work well as a unit that introduces what is expected of students at GCSE. Plenty of theory and examples of presentation.

Photohunt designed for keystage 3 pupils. Project designed for online or at home learning which asks pupils to take photos of objects that look like letters and examines forced perspective. Has a range of supporting theory and guides for editing images once taken. Supporting powerpoint for delivery in class. Runs for around 6-8 lessons.

A full guide on how to edit in the style of Tom Lewis’s Neon Beasts project. Made for use with Photoshop but can also be used with online software like Photopea. Great for GCSE and A level pupils who want an editing technique that looks really slick and isn’t that challenging. Can be completed with use of a drawing board.

Full unit of work that focuses on levitation and the work of btoh Franck Bohbot and Li Wei. Teaches everything that is needed to hit each assessment objective both at GCSE and A level. This includes: Artist research and image analysis Shooting plan and lighting analysis Contact sheet creation and best images section Editing pages production Editing guide explaining how to produce work Best edit (final outcome) presentation and annotation guide I use this as the fifth artist inspired unit that is completed after students have learned integral shooting and editing skills in the previous four units. Includes a full unit that covers everything from Artist research to shooting and editing. It also shows students what is required to hit each assessment objective and gives them an understanding of how to present their work in a detailed and reflective way.

Full unit of work that focuses on Victoria Siemer’s Geometric Landscapes series. Teaches everything that is need to hit each assessment objective both at GCSE and A level. This includes: Artist research and image analysis Shooting plan and image analysis Contact sheet creation and best images section Editing page guide Editing guide explaining how to produce work Best edit (final outcome) presentation and annotation guide I use this as the fourth artist inspired unit from my manipulation theme. Students complete this after learning key shooting and editing skills in the first three units. Great landscape unit that has a focus on both composition and simple duplication editing techniques. This pack shows students what is required to hit each assessment objective and gives them an understanding of how to present their work in a detailed and reflective way.

Full unit of work that focuses on Ulric Collette’s Genetic portraits series. Teaches everything that is need to hit each assessment objective both at GCSE and A level. This includes: Artist research and image analysis Shooting plan and lighting analysis Contact sheet creation and best images section Editing pages production Editing guide explaining how to produce work Best edit (final outcome) presentation and annotation guide I use this as the first artist inspired unit that I complete at the start of any photographic course because it is fun and teaches essential skills with lighting, shooting and editing. It also shows students what is required to hit each assessment objective and gives them an understanding of how to present their work in a detailed and reflective way. Can be adapted for any photographer you intend to use for inspiration

Guide on how to create a contact sheet then produce an editing page for face merge workshop. Also includes an editing guide that details how to create a face merge on photoshop. Perfect for all levels of photographic study but designed for year 10 and AS. Part of the Ulric Collette face merge unit I have designed. Teaches students how to show and present their images with annotation. Also includes a guide on how to create a detailed editing page whilst editing. Workshop focuses on basic photoshop skills that are utilised regularly when editing. Layer blending and manipulation is so integral to photoshop that I try to ensure my students have a good understanding of these at the start of any photographic course.